Reality Shapers:
The Fatekeepers
of a Brazen New World
In the infinite and eternal landscape of consciousness and true co-creation, a new breed of artivist is emerging - the Fatekeepers. These architects of belief are redefining what it means to shape reality in the 21st century.
At the forefront of this movement is Fullofit Industries and its enigmatic founder, R. Bretminster Fullofit. Through their groundbreaking Synergyworks division, Fullofit and his team are pioneering the art and science of what they call "Hyperstitious Linguistic Programming" - a potent blend of mettaphysics, narrative design, and cutting-edge psychetechnologies.
The core premise is simple yet profound: in a universe where consciousness is fundamental, the stories we tell ourselves have the power to reshape reality itself. By carefully crafting "mythOS updates" and immersive storyliving experiences, the Fatekeepers aim to seed new narratives, beliefs and behaviors into the collective psyche.
But this is no mere marketing ploy or entertainment gimmick. The Fatekeepers see themselves as midwives to an emerging paradigm, one where outdated notions of scarcity, separation and zero-sum thinking give way to a more holistic, superabundant and integrated worldview. By aligning individual self-interest with collective wellbeing, they catalyze a phase transition in human culture itself.
Central to this vision is the concept of "omnicentralized value creation" - a framework for organizing society around the unique gifts and aspirations of each person. Rather than fitting individuals into predefined roles and hierarchies, the Fatekeepers aim to create a fluid, emergent "Social Markovian Blanket" where every perspective is recognized as a vital thread in the larger tapestry.
Of course, such a radical reimagining of the status quo is bound to ruffle some feathers. Critics argue that Fullofit Industries is peddling a dangerous brand of reality distortion, blurring the lines between fact and fiction in service of its own agenda. Others worry about the potential for abuse, asking who gets to decide which stories are worth telling and living.
But the Fatekeepers remain undeterred. For them, the stakes could not be higher. In a world beset by eXistential threats and civilizational crises, they believe that nothing short of a Brazen New World will suffice - one where we take full responsibility for the realities we are co-creating, both individually and collectively.
Only by embracing the power of storyliving, they argue, can we hope to navigate the uncharted waters ahead and birth a future worth living into. As Bretminster Fullofit himself puts it: "The universe is made of stories, not atoms."
So while the jury may still be out on the ultimate impact of Fullofit Industries and its reality-bending exploits, one thing seems clear: in the Theatrical Idealism of human becoming, the Fatekeepers are poised to play a starring role. And for those with I’s to see and ears to hear, the show has already begun.
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